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| 001 |
FRAMEMAKERS
 |
2005 |
| 002 |
JUST LIKE THE MOVIES
 |
2005 |
| 003 |
YOUNG CARITAS
 |
2005 |
| 004 |
SICHER IM INTERNET
 |
2005 |
| 005 |
IRIS FOR CORK 2005
 |
2004–2005 |
| 006 |
SPORTALP
 |
2004–2005 |
| 007 |
LEO ZOGMAYER
 |
2004 |
| 008 |
AIRPORT DRIVERS
 |
2004 |
| 009 |
O2 GERMANY
 |
2004 |
| 010 |
GIANTS OF RIO
 |
2004 |
| 011 |
ALLIANZ
 |
2004 |
| 012 |
FINANCIAL TIMES
 |
2004 |
| 013 |
WAIT A MINUTE
 |
2004 |
| 014 |
DMC GROUP
 |
2004 |
| 015 |
SLATTERY’S LAMP
 |
2004 |
| 016 |
SPORTSCHAU
 |
2002–2004 |
| 017 |
ARD AKTUELL
 |
2002–2004 |
| 018 |
ARD
 |
2001–2004 |
| 019 |
KLMP ARCHITEKTUR
 |
2003 |
| 020 |
KRONEHIT
 |
2003 |
| 021 |
AGORA
 |
2000–2003 |
| 022 |
BARRIEDALE OPERAHOUSE
 |
1994–2003 |
| 023 |
ALEXANDER MANDIC
 |
2002 |
| 024 |
ALBERTINA
 |
2002 |
| 025 |
DOROTHEUM
 |
2002 |
| 026 |
CHOREOGRAPH.NET
 |
2002 |
| 027 |
TYPEMUSEUM.AT
 |
2002 |
| 028 |
BALLETT FRANKFURT
 |
2002 |
| 029 |
AURAL CODES
 |
2001 |
| 030 |
NODDING DOG
 |
2001 |
| 031 |
MUSEUMSQUARTIER WIEN
 |
2000 |
| 032 |
AUDI
 |
1999–2000 |
| 033 |
EUROCARGO GROUP
 |
1994–2000 |
| 034 |
STÄDTCHEN Z.
 |
1999 |
| 035 |
HOLY WAR
 |
1999 |
| 036 |
K2
 |
1998 |
| 037 |
ELEVATION
 |
1998 |
| 038 |
HIP HOP PALAIS
 |
1998 |
| 039 |
RAIL ROAD CARGO
 |
1996–1998 |
| 040 |
UNIVERSITY OF APPLIED ARTS
 |
1997 |
| 041 |
UNDER
 |
1996–1997 |
| 042 |
MONTGOMERY
 |
1994–1997 |
| 043 |
WEISS PHOTOGRAPHY
 |
1996 |
| 044 |
RAMIKOZY
 |
1994–1996 |
| 045 |
TEMPO
 |
1995 |
| 046 |
SONS OF ILSA
 |
1995 |
| 047 |
STAY TUNED
 |
1995 |
| 048 |
OEVA
 |
1995 |
| 049 |
SPACEJUNGLE
 |
1995 |
| 050 |
CAFE CON LECHE
 |
1994 |
| 051 |
XXX PRODUCTIONS
 |
1994 |
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